eva löfdahl
exhibition: in the field of general practice
at: nordenhake, stockholm
more at contemporary art daily
eva löfdahl
exhibition: in the field of general practice
at: nordenhake, stockholm
more at contemporary art daily
pablo picasso
head of a woman, 1961
painted sheet metal, cut out, folded, and incised, 28 x 21 x 9.5 cm
man ray
chess set, 1926
thirty-two silver alloy chess pieces with oxidizes
herman makkink
dancing christs
still from kubrick’s a clockwork orange
(via flashandfootle)
this max ernst was really great too. once again, at el Museo Reina Sofia.
max ernst
Over the last ten years Tony Romano and Tyler Brett have collaborated as T&T on images, models and sound works. Their melded vision is based on advanced engineering, ingenious upcycling, retrofitted architecture, sound ecological principles, rejigged technology and social harmony. They combine a sophisticated but survivalist mode of living with building strategies rooted in modernism and practices like the Coop Himmelb(l)au in particular. With futurist scenes of zero-footprint settlements, de-mobilized cars, wind turbines, water wheels, solar panels, filtration systems, bio-domes and green structures, T&T seem to propose a postapocalyptic situation that is both optimistic and pragmatically grounded. Far from being dark and violent, T&T have populated their futurist realities with hobo-troubadour collectives who roam the horizon, build sustainable habitats, perform music and deliver oral histories.
paul mccarthy
cultural gothic, 1992
Metal, wood, pneumatic cylinder, compressor, programmed controller, burlap with foam, acrylic, dirt, fiberglass, clothing, wigs and stuffed goat
96 x 94 x 94 in. (241 x 235 x 235 cm)
paul mccarthy
MoCA Man, 1992
latex rubber, urethane foam, clothing, wig, wood, motor, artificial turf and saw horses
36 x 72 x 36 in. (91.4 x 182.9 x 91.4 cm)