May 2012
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April 2012
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Ann Gale's Interstitial Portraits; essay by Mark... →
from:
anne gale: recent paintings (2004)
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one day i will be a crotchety old man
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bohemic-deactivated20120714 asked: where do you get most of your inspiration from? :)
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painting
at first you’re trying to make it look like the thing you see. then you’re trying to make it the thing you can’t see.
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curator Michael Auping discusses Philip Guston’s treatment of social and political themes in his paintings.
Source: http://www.sfmoma.org/explore/multimedia/videos/177#ixzz1sPfZe3Qu San Francisco Museum of Modern Art
oh-little-one asked: man oh man, i haven't seen a blog this delicious in a while- not to mention you post some of my favorite artists/ a ton i'm unaware of. three cheers, warmth, and flowers --- Little.
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Frieze Magazine: A Serious Business by Dan Fox →
Art’s authority is perpetuated by specialized terminologies derived from philosophy, history and sociology. Specialized vocabularies are helpful tools for specialist thinking but, almost by dint of their dazzling technicality, they also imply consensus models for talking about art. Working for a contemporary art magazine, I get sent a vast amount of press material each day, almost all of which...
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if there’s been a lack of posting on my part, it’s only because i’ve been working on this.
REPRESENT: A GROUP EXHIBITION
directed by jaime ryan heintz
hope to see you there tomorrow night.
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all the paintings are hung for thursday’s show.
still much to do.
for now i rest.
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